...and this is the key - every vignette that Allen casts his loving eye over has a connection to the radio. For instance, we hear the tale of Sally White (Mia Farrow), a Bronx cigarette-girl with dreams of becoming a radio star. The only drawbacks are her lack of talent, abysmal accent and lack of class - nothing that can't be changed given enough determination. Or perhaps the incident where burglars answered the phone in a house they were robbing and won the jackpot on a 'Name That Tune' competition, which surprised the homeowners when the prizes were delivered the next day. The spirit of the movie as it switches between Little Joe's working-class neighbourhood and the glamour of Manhattan is simply joyous.
Above all of these fascinating scenes lies the stunning dialogue. Allen has scripted lines which are exactly those which people who have been married for years would say - the snappy remarks, the little digs and the unstated comments. We genuinely feel that these characters have reality, feelings and honest desires - just like the rest of us. If you add the vital ingredient of music, which is both great to listen to and from the big-band era, the result is an evocative paean to a world without TV. I'm not old enough to know what the time was like, but by riding on Allen's memories I sure wish that I could visit.